Kathryn Bigelow’s follow-up to her Oscar-winning best picture, “Hurt Locker,” is an even tougher and more gripping war picture taking place in the world of terrorist-tracking espionage.
This is, of course, her much anticipated depiction of the decade-long hunt for Osama bin Laden, “Zero Dark Thirty.”
Stripped of the usual gung-ho aspects of most war movies or revenge melodramas, the film is a calm, concentrated, densely detailed description of a manhunt on a global scale. It’s moviemaking at its engrossing best.


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